ततोऽवाद्यंत तान्येव घनानि सुषिराणि च । कलगानपराः सर्वे सर्वे मृदंगवादिनः
tato'vādyaṃta tānyeva ghanāni suṣirāṇi ca | kalagānaparāḥ sarve sarve mṛdaṃgavādinaḥ
Alors ces mêmes instruments furent joués — tant ceux au son plein (percussions) que les instruments creux, de souffle. Tous s’adonnaient au chant mesuré ; tous étaient joueurs du tambour mṛdaṅga.
Lomaharṣaṇa (Sūta), narrating to the sages (deduced)
Tirtha: Kedāra
Type: kshetra
Scene: A coordinated orchestra of gaṇas: percussion and wind instruments played together; singers keep measured melody while mṛdaṅga players drive the rhythm.
Sound and rhythm become vehicles of sacred power—here, music functions as an omen and amplifier of divine presence.
Kedārakhaṇḍa provides the sacred setting; this verse does not name a specific tīrtha.
None directly; it notes collective performance of instruments and song.