Previous Verse
Next Verse

Skanda Purana — Mahesvara Khanda, Shloka 24

गायकाश्चैव गंधर्वाः किन्नराश्चाप्सपोगणाः । ननृतुर्जगुस्तुष्टुवुश्च सिद्धचारणगुह्यकाः

gāyakāścaiva gaṃdharvāḥ kinnarāścāpsapogaṇāḥ | nanṛturjagustuṣṭuvuśca siddhacāraṇaguhyakāḥ

Chanteurs, Gandharvas, Kinnaras et troupes d’Apsaras dansèrent, chantèrent et offrirent des hymnes de louange ; de même firent les Siddhas, les Cāraṇas et les Guhyakas.

gāyakāḥsingers
gāyakāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootgāyaka (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), बहुवचन (Plural)
caand
ca:
Sambandha/Connector
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
evaindeed
eva:
Sambandha/Emphasis
TypeIndeclinable
Rooteva (अव्यय)
Formअवधारण-अव्यय (emphatic particle)
gaṃdharvāḥGandharvas
gaṃdharvāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootgaṃdharva (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
kinnarāḥKinnaras
kinnarāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootkinnara (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
caand
ca:
Sambandha/Connector
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
apsapogaṇāḥgroups of Apsarases
apsapogaṇāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootapsaras (प्रातिपदिक) + gaṇa (प्रातिपदिक)
Formतत्पुरुष-समास (षष्ठी-तत्पुरुष: अप्सरसां गणाः), पुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन
nanṛtuḥthey danced
nanṛtuḥ:
Kriya (Action/क्रिया)
TypeVerb
Rootnṛt (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष (3rd person), बहुवचन
jaguḥthey sang
jaguḥ:
Kriya (Action/क्रिया)
TypeVerb
Rootgai (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, बहुवचन
tuṣṭuvuḥthey praised
tuṣṭuvuḥ:
Kriya (Action/क्रिया)
TypeVerb
Rootstu (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, बहुवचन
caand
ca:
Sambandha/Connector
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
siddhacāraṇaguhyakāḥSiddhas, Cāraṇas, and Guhyakas
siddhacāraṇaguhyakāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootsiddha (प्रातिपदिक) + cāraṇa (प्रातिपदिक) + guhyaka (प्रातिपदिक)
Formद्वन्द्व-समास (समाहार/इतरेतर: सिद्धाश्च चारणाश्च गुह्यकाश्च), पुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन

Sūta (Lomaharṣaṇa) narrating to the sages (deduced)

Tirtha: Kedāranātha (Kedāra-kṣetra)

Type: kshetra

Scene: A celestial assembly: Gandharvas singing with vīṇā and flute, Apsarases dancing in rhythmic circles, Kinnaras joining chorus; Siddhas and Cāraṇas offering hymns; Guhyakas standing as Himalayan guardians, with snowy peaks and a sanctified aura.

G
Gāyakas
G
Gandharvas
K
Kinnaras
A
Apsarases
S
Siddhas
C
Cāraṇas
G
Guhyakas

FAQs

Praise (stuti) and sacred song are natural responses to the restoration of dharma and divine favor.

Kedāra-kṣetra is the overarching sacred frame, though the scene describes heavenly rejoicing.

No explicit ritual is commanded; the verse models devotional praise through song and hymn.