इति वाक्यगुणानां च वाग्दोषान्द्विनव श्रृणु । अपेतार्थमभिन्नार्थमपवृत्तं तथाधिकम्
iti vākyaguṇānāṃ ca vāgdoṣāndvinava śrṛṇu | apetārthamabhinnārthamapavṛttaṃ tathādhikam
Ainsi ont été énoncées les qualités de l’énoncé ; écoute maintenant les dix-huit défauts de la parole : « dépourvu de sens », « sans sens distinct », « détourné du sujet » et « excessif », et ainsi de suite.
Satyavrata
Scene: A formal enumeration scene: the teacher counts categories on fingers or with a rosary, while a scribe records the list of eighteen speech-faults; orderly, didactic atmosphere.
Dharma is protected by guarding one’s speech—avoiding meaninglessness, confusion, digression, and excess that distort truth.
No holy place is praised here; the emphasis is on ethical communication.
No formal ritual; it begins a practical ‘discipline of speech’ by listing faults to be avoided.