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Skanda Purana — Brahma Khanda, Shloka 92

तीर्थद्वयस्य तीरेऽसौ किंचित्कालं तु तस्थिवान् । तस्मिन्काले च गायत्रीसरस्वत्यौ मुनीश्वराः

tīrthadvayasya tīre'sau kiṃcitkālaṃ tu tasthivān | tasminkāle ca gāyatrīsarasvatyau munīśvarāḥ

Il demeura quelque temps sur la rive des deux eaux sacrées. En cet instant même, ô seigneurs parmi les munis, Gāyatrī et Sarasvatī allaient s’y manifester.

तीर्थद्वयस्यof the two tīrthas
तीर्थद्वयस्य:
Sambandha (Genitive relation)
TypeNoun
Rootतीर्थ (प्रातिपदिक) + द्वि (संख्या-प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी (6th/सम्बन्ध), एकवचन; द्विगु-समास
तीरेon the bank
तीरे:
Adhikaraṇa (Locative)
TypeNoun
Rootतीर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/अधिकरण), एकवचन
असौhe (that person)
असौ:
Kartā (Subject)
TypeNoun
Rootअसद्/अदस् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; सर्वनाम
किंचित्-कालम्for some time
किंचित्-कालम्:
Kāla-adhikaraṇa (Temporal extent)
TypeNoun
Rootकिंचित् (अव्यय/सर्वनाम) + काल (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; कर्मधारयः (‘किंचित् एव कालम्’)
तुindeed
तु:
Sambandha (Particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; अवधान/विरोधसूचक (but/indeed)
तस्थिवान्stood / remained
तस्थिवान्:
Kriyā (Predicative action/state)
TypeVerb
Rootस्था (धातु)
Formकृदन्त; क्तवत्-प्रत्ययान्त (past active participle), पुंलिङ्ग, प्रथमा, एकवचन; √स्था
तस्मिन्-कालेat that time
तस्मिन्-काले:
Adhikaraṇa (Time)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक) + काल (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/अधिकरण), एकवचन; ‘तस्मिन् काले’ (locative)
and
:
Sambandha (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (and)
गायत्री-सरस्वत्यौGāyatrī and Sarasvatī
गायत्री-सरस्वत्यौ:
Kartā (Subject)
TypeNoun
Rootगायत्री (प्रातिपदिक) + सरस्वती (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), द्विवचन; इतरेतर-द्वन्द्व
मुनीश्वराःlords among sages
मुनीश्वराः:
Kartṛ-viśeṣaṇa (Apposition/epithet)
TypeNoun
Rootमुनि (प्रातिपदिक) + ईश्वर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; ‘मुनीनां ईश्वराः’ इति षष्ठी-तत्पुरुषः (appositive epithet)

Narrator (Purāṇic narrator in Setukhaṇḍa context)

Tirtha: Tīrthadvaya (Twin Tīrthas)

Type: sangam

Listener: munīśvarāḥ

Scene: Kaśyapa sits on the sandy/rocky bank between two sacred waters, posture composed, eyes half-closed; the air shimmers as if preparing for a divine epiphany; subtle hints of feminine radiance gather in the background.

K
Kaśyapa
G
Gāyatrī
S
Sarasvatī
T
Tīrthadvaya

FAQs

Lingering reverently at a holy place is depicted as inviting divine presence and revelation.

The bank of the ‘twin tīrthas’ in Setu-kṣetra as described in Setukhaṇḍa.

No new rite is prescribed here; it narrates remaining at the tīrtha after bathing, implying attentive pilgrimage conduct.