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Skanda Purana — Brahma Khanda, Shloka 4

सीतासरोत्र सेवंते स्वस्वकल्मषशांतये । तस्याः सरसि संगीतगुणेनाकृष्य बालिशः

sītāsarotra sevaṃte svasvakalmaṣaśāṃtaye | tasyāḥ sarasi saṃgītaguṇenākṛṣya bāliśaḥ

Les hommes se rendent à Sītā-saras pour apaiser leurs propres souillures. Mais l’insensé, attiré seulement par le charme mélodieux, comme un chant, de l’étang, s’en approche avec légèreté.

सीतासरःSītā-lake
सीतासरः:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootसीता + सरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd Nom/Acc), एकवचन; समासः—सीतायाः सरः (षष्ठी-तत्पुरुषः)
उत्रthere
उत्र:
Kriya-vishesana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootउत्र (अव्यय)
Formदेशवाचक-अव्यय (adverb of place) ‘there/at that place’
सेवन्तेserve/attend
सेवन्ते:
Kriya (Action/क्रिया)
TypeVerb
Rootसेव् (धातु)
Formलट् (Present), आत्मनेपद, प्रथमपुरुष (3rd person), बहुवचन
स्वस्वकल्मषशान्तयेfor the pacification of each one’s own impurity
स्वस्वकल्मषशान्तये:
Sampradana (Purpose/सम्प्रदान)
TypeNoun
Rootस्व + स्व + कल्मष + शान्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, चतुर्थी (4th/Dative), एकवचन; समासः—स्वस्य स्वस्य कल्मषस्य शान्तिः (षष्ठी-तत्पुरुषः)
तस्याःof her/of that (lake)
तस्याः:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th/Genitive), एकवचन
सरसिin the lake
सरसि:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootसरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
संगीतगुणेनby the quality of music
संगीतगुणेन:
Karana (Instrument/करण)
TypeNoun
Rootसंगीत + गुण (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; समासः—संगीतस्य गुणः (षष्ठी-तत्पुरुषः)
आकृष्यhaving attracted
आकृष्य:
Purvakala-kriya (Prior action/पूर्वकालक्रिया)
TypeVerb
Rootआ + कृष् (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्ययभावः; ‘having attracted/drawn’
बालिशःa foolish person
बालिशः:
Karta (Subject/कर्ता)
TypeNoun
Rootबालिश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन

Sūta (contextual continuation)

Tirtha: Sītā-saras

Type: kund

Listener: Brāhmaṇas/assembled sages (implied)

Scene: Two contrasting pilgrims at Sītā-saras: one reverent, performing ācamana and prayer; another distracted, admiring the lake’s beauty and sounds without inner focus.

S
Sītā-saras

FAQs

Approach holy places for inner purification, not merely for sensory delight; intention shapes the fruit of pilgrimage.

Sītā-saras, sought for kalmaṣa-śānti (the calming/removal of impurities).

Tīrtha-sevā (reverent resorting/serving) is implied as the proper mode of engagement, beyond mere attraction.