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Skanda Purana — Brahma Khanda, Shloka 30

छलेन कन्याहरणात्पैशाचो गर्हितोऽष्टमः । प्रायः क्षत्रविशोरुक्ता गांधर्वासुरराक्षसाः

chalena kanyāharaṇātpaiśāco garhito'ṣṭamaḥ | prāyaḥ kṣatraviśoruktā gāṃdharvāsurarākṣasāḥ

Le huitième, nommé Paiśāca, est blâmé et tenu pour infâme, car il provient de l’enlèvement trompeur d’une jeune fille. De plus, on dit que les formes Gāndharva, Āsura et Rākṣasa sont le plus souvent associées aux kṣatriya et aux vaiśya.

chalenaby deceit
chalena:
Karana (Instrument/करण)
TypeNoun
Rootchala (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3/तृतीया), एकवचन
kanyā-haraṇātfrom abducting a maiden
kanyā-haraṇāt:
Hetu (Cause/हेतु)
TypeNoun
Rootkanyā (प्रातिपदिक) + haraṇa (प्रातिपदिक; √hṛ धातु)
Formसमासः (तत्पुरुष) ‘कन्यायाः हरणम्’; नपुंसकलिङ्ग, पञ्चमी (5/पञ्चमी), एकवचन
paiśācaḥthe Paiśāca (form of marriage)
paiśācaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootpaiśāca (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1/प्रथमा), एकवचन
garhitaḥis censured
garhitaḥ:
Kriya (Action/क्रिया)
TypeVerb
Root√garh (गर्ह्, धातु)
Formक्त (past passive participle), पुंलिङ्ग, प्रथमा (1/प्रथमा), एकवचन; कर्मणि ‘गर्हितः’
aṣṭamaḥthe eighth
aṣṭamaḥ:
Karta (Subject/कर्ता)
TypeAdjective
Rootaṣṭama (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1/प्रथमा), एकवचन; क्रमवाचक-विशेषणम्
prāyaḥmostly
prāyaḥ:
Sambandha (Adverbial)
TypeIndeclinable
Rootprāyaḥ (अव्यय)
Formअव्यय; अव्यय-विशेषण (adverb) ‘प्रायः’ (=mostly)
kṣatra-viśoḥof the Kṣatriya and the Vaiśya
kṣatra-viśoḥ:
Sambandha (Genitive/षष्ठी)
TypeNoun
Rootkṣatra (प्रातिपदिक) + viś (प्रातिपदिक)
Formसमासः (द्वन्द्व) ‘क्षत्रं च विश् च’; षष्ठी (6/षष्ठी), द्विवचन
uktāḥare said (to be)
uktāḥ:
Kriya (Action/क्रिया)
TypeVerb
Root√vac (वच्, धातु)
Formक्त (past passive participle), पुंलिङ्ग, प्रथमा (1/प्रथमा), बहुवचन; कर्मणि ‘उक्ताः’
gāndharva-asura-rākṣasāḥGāndharva, Āsura, and Rākṣasa (forms)
gāndharva-asura-rākṣasāḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootgāndharva (प्रातिपदिक) + asura (प्रातिपदिक) + rākṣasa (प्रातिपदिक)
Formसमासः (द्वन्द्व) त्रयाणां समाहारः; पुंलिङ्ग, प्रथमा (1/प्रथमा), बहुवचन

Parāśara

Scene: A cautionary tableau: a shadowed figure luring a maiden (Paiśāca) contrasted with a bright, orderly wedding scene in the background; marginal notes/figures representing Kṣatriya and Vaiśya households to indicate sociological association.

P
Parāśara

FAQs

Deceit and exploitation in marriage are strongly condemned; dharma evaluates social customs by ethical standards.

No holy site is named; the focus is social and moral dharma.

A prohibition/condemnation of Paiśāca (deceitful taking) and a note on customary association of certain forms with varṇas.