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Skanda Purana — Brahma Khanda, Shloka 41

यत्र वै धर्मराजोसौ तपश्चक्रे सुदुष्करम् । हास्यभावकटाक्षैश्च गीतनृत्यादिभिस्तथा

yatra vai dharmarājosau tapaścakre suduṣkaram | hāsyabhāvakaṭākṣaiśca gītanṛtyādibhistathā

Là même, où Dharmarāja accomplit une austérité des plus ardues, elles s’approchèrent avec des sourires enjoués et des regards en coin, ainsi qu’avec chant, danse et autres arts.

yatrawhere
yatra:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootyatra
Formअव्यय (देशवाचक-अव्यय/relative adverb)
vaiindeed
vai:
Sambandha (Relation/सम्बन्ध)
TypeIndeclinable
Rootvai
Formअव्यय (निपात/particle; emphasis)
dharmarājaḥDharmarāja (Yama)
dharmarājaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootdharma + rāja (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (धर्मस्य राजा), पुल्लिङ्ग, प्रथमा (1st case), एकवचन
asauthat one, he
asau:
Karta (Subject/कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (1st case), एकवचन; सर्वनाम
tapaḥausterity, penance
tapaḥ:
Karma (Object/कर्म)
TypeNoun
Roottapas (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन
cakreperformed, did
cakre:
Kriya (Action/क्रिया)
TypeVerb
Root√kṛ (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष, एकवचन, आत्मनेपद
suduṣkaramvery difficult
suduṣkaram:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootsu + duṣkara (प्रातिपदिक)
Formकर्मधारय (सु + दुष्कर), नपुंसकलिङ्ग, द्वितीया (2nd case), एकवचन; विशेषण (तपः-विशेषण)
hāsyabhāvakaṭākṣaiḥwith playful/derisive glances
hāsyabhāvakaṭākṣaiḥ:
Karana (Instrument/करण)
TypeNoun
Roothāsya + bhāva + kaṭākṣa (प्रातिपदिक)
Formसमाहार-तत्पुरुष/बहुपद-समास (हास्य-भाव-कटाक्ष), पुल्लिङ्ग, तृतीया (3rd case), बहुवचन
caand
ca:
Sambandha (Relation/सम्बन्ध)
TypeIndeclinable
Rootca
Formअव्यय (समुच्चय/ conjunction)
gītanṛtyādibhiḥwith songs, dances, and the like
gītanṛtyādibhiḥ:
Karana (Instrument/करण)
TypeNoun
Rootgīta + nṛtya + ādi (प्रातिपदिक)
Formइतरेतर-द्वन्द्व (गीतं च नृत्यं च), तृतीया (3rd case), बहुवचन; पुल्लिङ्ग/नपुंसक-समाहारार्थे प्रयोगः
tathālikewise, also
tathā:
Kriya-visheshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Roottathā
Formअव्यय (क्रियाविशेषण/particle: 'likewise')

Narrator (contextual Purāṇic narration)

Tirtha: Dharmāraṇya

Type: kshetra

Scene: At the austere hermitage-ground, apsarases approach with smiles, sidelong glances, and performing arts—song and dance—contrasting with the stillness of the ascetic’s tapas.

D
Dharmarāja (Yama)
A
Apsarases
D
Dharmāraṇya

FAQs

Spiritual practice is tested not only by hardship but by pleasure; mastery is shown by remaining steady amid allurements.

Dharmāraṇya, presented as a potent tapas-sthāna where Dharmarāja undertakes severe austerity.

No explicit prescription; the verse describes the testing of an ascetic through distraction.