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Skanda Purana — Avanti Khanda, Shloka 45

गणास्तालकसंपातैर्नृत्यन्ति च मुदान्विताः । अकस्माद्दृश्यते कन्या शंकरस्य समीपगा

gaṇāstālakasaṃpātairnṛtyanti ca mudānvitāḥ | akasmāddṛśyate kanyā śaṃkarasya samīpagā

Les gaṇas de Śiva, remplis d’allégresse, dansaient au fracas des instruments qui marquent la mesure. Soudain, on vit la jeune fille se tenir tout près de Śaṅkara.

गणाःthe attendants (gaṇas)
गणाः:
Karta (Subject)
TypeNoun
Rootगण (प्रातिपदिक)
Formपुल्लिङ्ग; प्रथमा-विभक्ति (1st/कर्ता), बहुवचन
तालकसंपातैःwith claps/strikes (rhythmic beats)
तालकसंपातैः:
Karaṇa (Instrument)
TypeNoun
Rootतालक + संपात (प्रातिपदिक)
Formपुल्लिङ्ग; तृतीया-विभक्ति (3rd/करण), बहुवचन; तत्पुरुष-समास (determinative: 'clapping/striking-falls/impacts')
नृत्यन्तिthey dance
नृत्यन्ति:
Kriyā (Verb)
TypeVerb
Rootनृत् (धातु)
Formलट् (Present); प्रथमपुरुष (3rd person), बहुवचन; परस्मैपद
and
:
Samuccaya (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-बोधक (conjunction)
मुदान्विताःfilled with joy
मुदान्विताः:
Viśeṣaṇa (Adjective of गणाः)
TypeAdjective
Rootमुदा + अन्वित (प्रातिपदिक; क्त-प्रत्ययान्त)
Formपुल्लिङ्ग; प्रथमा-विभक्ति, बहुवचन; तत्पुरुष-समास (determinative: 'endowed with joy')
अकस्मात्suddenly
अकस्मात्:
Kriyāviśeṣaṇa (Adverbial modifier)
TypeIndeclinable
Rootअकस्मात् (अव्यय)
Formअव्यय; आकस्मिकता-वाचक (adverb: suddenly)
दृश्यतेis seen, appears
दृश्यते:
Kriyā (Verb)
TypeVerb
Rootदृश् (धातु)
Formलट् (Present); प्रथमपुरुष (3rd person), एकवचन; आत्मनेपद; कर्मणि-प्रयोग (passive)
कन्याthe maiden
कन्या:
Karta (Subject; of passive appearance)
TypeNoun
Rootकन्या (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति (1st/कर्ता), एकवचन
शंकरस्यof Śaṅkara
शंकरस्य:
Ṣaṣṭhī-sambandha (Genitive relation)
TypeNoun
Rootशंकर (प्रातिपदिक)
Formपुल्लिङ्ग; षष्ठी-विभक्ति (6th/सम्बन्ध), एकवचन
समीपगाnearby, close (to him)
समीपगा:
Viśeṣaṇa (Adjective of कन्या)
TypeAdjective
Rootसमीप + गा (प्रातिपदिक; गा = गम्-धातुज)
Formस्त्रीलिङ्ग; प्रथमा-विभक्ति, एकवचन; तत्पुरुष-समास (determinative: 'gone to/being near')

Mārkaṇḍeya (narrating within Revā Khaṇḍa context)

Tirtha: Revā-associated Śaiva tirtha ambience

Type: ghat

Listener: Ṛṣis/assembly (contextual)

Scene: Śiva’s gaṇas dance exuberantly, clashing tāla instruments; dust and flower petals swirl; at the center, Śaṅkara stands serene, and suddenly the maiden appears close to him, shifting the crowd from revelry to astonishment.

G
Gaṇas
Ś
Śaṅkara (Śiva)
K
Kanyā (future Narmadā)

FAQs

The birth of a tīrtha is celebrated as a cosmic event—where devotion, rhythm, and divine presence converge.

The Revā (Narmadā) is being revealed in proximity to Śiva, grounding the river’s sanctity in direct divine association.

No explicit rite is prescribed; the verse depicts auspicious celebration around Śiva, a common purāṇic marker of holiness.