Previous Verse
Next Verse

Skanda Purana — Avanti Khanda, Shloka 24

हंसकारण्डवाकीर्णं चक्रवाकोपशोभितम् । आडीकाकबलाकाभिः सेवितं कोकिलादिभिः

haṃsakāraṇḍavākīrṇaṃ cakravākopaśobhitam | āḍīkākabalākābhiḥ sevitaṃ kokilādibhiḥ

Il fourmillait de cygnes et de canards kāraṇḍava, embelli par les oiseaux cakravāka, et fréquenté par d’autres oiseaux, tels les hérons et le coucou (kokilā).

हंसकारण्डवाकीर्णम्filled with swans and kāraṇḍavas (ducks)
हंसकारण्डवाकीर्णम्:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootहंस (प्रातिपदिक) + कारण्डव (प्रातिपदिक) + √कॄ (धातु)
Formकृदन्त (क्त/त-प्रत्ययान्त ‘कीर्ण’), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; (हंस-कारण्डव) इतरेतर-द्वन्द्वसमासः + कीर्णम्
चक्रवाकोपशोभितम्beautified by cakravāka birds
चक्रवाकोपशोभितम्:
Visheshana (Adjective/विशेषण)
TypeAdjective
Rootचक्रवाक (प्रातिपदिक) + उप (उपसर्ग) + √शुभ् (धातु)
Formकृदन्त (क्त/त-प्रत्ययान्त ‘शोभित’), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तृतीया-तत्पुरुषार्थः (‘चक्रवाकैः उपशोभितम्’ = adorned by cakravāka birds)
आडीकाकबलाकाभिःwith āḍīkāka-birds and herons/cranes
आडीकाकबलाकाभिः:
Karana (Instrument/करण)
TypeNoun
Rootआडीकाक (प्रातिपदिक) + बलाका (प्रातिपदिक)
Formस्त्रीलिङ्ग (बलाका), तृतीया (3rd/करण), बहुवचन; इतरेतर-द्वन्द्वसमासः
सेवितम्frequented/inhabited
सेवितम्:
Visheshana (Adjective/विशेषण)
TypeAdjective
Root√सेव् (धातु)
Formकृदन्त (क्त/त-प्रत्ययान्त), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
कोकिलादिभिःby cuckoos and other (birds)
कोकिलादिभिः:
Karana (Instrument/करण)
TypeNoun
Rootकोकिल (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/करण), बहुवचन; ‘आदि’समासः (समाहार/गणवाचक): ‘कोकिल-आदि’ = cuckoos and others

Sūta (Lomaharṣaṇa) narrating to the sages (contextual deduction)

Tirtha: Revā-tīra sarovara/taḍāga environs (general)

Type: ghat

Scene: A lotus-pond alive with swans, kāraṇḍava ducks, and cakravāka pairs; herons stand at the edge; cuckoos call from nearby trees; morning light glints on water.

H
Haṃsa
K
Kāraṇḍava
C
Cakravāka
B
Balākā
K
Kokila

FAQs

A dharmic place is marked by harmony—creatures dwell without fear, and the environment itself becomes auspicious.

The lakes and groves of the sacred āśrama-forest in the Vindhya setting of Revākhaṇḍa.

None; the verse establishes the tīrtha-like serenity and sanctity of the locale through natural imagery.