शिवागमन-नाद-समागमः (Śiva’s Advent, the Drum-Sound, and the Cosmic Assembly)
कोटिकोटिसहस्राणां शतैर्विंशतिभिर्वृतः । तत्राजगाम सर्वेशः कैलासगमनाय वै
koṭikoṭisahasrāṇāṃ śatairviṃśatibhirvṛtaḥ | tatrājagāma sarveśaḥ kailāsagamanāya vai
Entouré de troupes comptées par centaines et par vingtaines, innombrables en koṭis de koṭis et en milliers de koṭis, le Seigneur de tout (Śiva) arriva là, certes, avec l’intention d’aller à Kailāsa.
Suta Goswami
Tattva Level: pati
Shiva Form: Mahādeva
Sthala Purana: Not tied to a Jyotirliṅga; it depicts Sarveśa surrounded by innumerable hosts proceeding toward Kailāsa, reinforcing Kailāsa as Śiva’s sovereign seat.
Significance: Meditative visualization of Śiva’s parivāra (retinue) supports bhakti and dhyāna; for Siddhānta, it underscores pati’s lordship and the ordered cosmos sustained under his śakti.
It highlights Śiva as Sarveśa—the Supreme Lord (Pati) who moves freely and is attended by innumerable divine hosts, indicating His transcendence and sovereign grace in guiding creation and devotees toward the sacred abode of Kailāsa.
The verse presents Śiva in a manifest, relatable (saguṇa) mode—‘Sarveśa’ journeying to Kailāsa—supporting devotional contemplation of His form and presence, which in practice is anchored through Liṅga worship as His accessible emblem.
A simple takeaway is Kailāsa-smaraṇa (remembrance of Śiva’s abode) while repeating the Pañcākṣarī mantra “Om Namaḥ Śivāya,” cultivating bhakti and inner orientation toward the Lord as the liberating Pati.