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Shloka 96

Karma, Non-Violence, Tīrtha & Gaṅgā Merit, Vaiṣṇava Protection, Śālagrāma Worship, and Ekādaśī as Deliverance

तत्तदभ्यासमाहात्म्यैः सर्वे ते हतकिल्बिषाः । गच्छंति ब्रह्मणो लोकं यत्र मोहो न विद्यते

tattadabhyāsamāhātmyaiḥ sarve te hatakilbiṣāḥ | gacchaṃti brahmaṇo lokaṃ yatra moho na vidyate

Par la gloire et la puissance de cette pratique spirituelle répétée, tous—purifiés de leurs fautes—parviennent au monde de Brahmā, où l’illusion n’existe pas.

तत्that
तत्:
Sambandha (Correlative/सम्बन्ध)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; अव्ययवत् विशेषण (correlative)
तत्that (each)
तत्:
Sambandha (Correlative/सम्बन्ध)
TypeAdjective
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; पुनरुक्त (each and every)
अभ्यासमाहात्म्यैःby the greatness of (such) practice
अभ्यासमाहात्म्यैः:
Karana (Instrument/करण)
TypeNoun
Rootअभ्यास (प्रातिपदिक) + माहात्म्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया, बहुवचन; अभ्यासस्य माहात्म्यैः (by the greatness of practice)
सर्वेall
सर्वे:
Karta (Subject/कर्ता)
TypeAdjective
Rootसर्व (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
तेthey
ते:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
हतकिल्बिषाःwith sins destroyed / sinless
हतकिल्बिषाः:
Karta (Subject/कर्ता)
TypeAdjective
Rootहत (कृदन्त-प्रातिपदिक) + किल्बिष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; किल्बिषं हतम् येषाम् (sins destroyed)
गच्छन्तिthey go
गच्छन्ति:
Kriya (Action/क्रिया)
TypeVerb
Root√गम् (धातु)
Formलट्, परस्मैपद, प्रथमपुरुष, बहुवचन
ब्रह्मणःof Brahmā / of Brahman
ब्रह्मणः:
Shashthi-Sambandha (Genitive relation/षष्ठी)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th case), एकवचन
लोकम्world/realm
लोकम्:
Karma (Object/कर्म)
TypeNoun
Rootलोक (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
यत्रwhere
यत्र:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootयत्र (अव्यय)
Formदेशवाचक-अव्यय (relative adverb of place)
मोहःdelusion
मोहः:
Karta (Subject/कर्ता)
TypeNoun
Rootमोह (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
not
:
Pratishedha (Negation/निषेध)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेधार्थक-निपात (negation particle)
विद्यतेexists
विद्यते:
Kriya (Action/क्रिया)
TypeVerb
Root√विद् (धातु) (सत्तायाम्)
Formलट्, आत्मनेपद, प्रथमपुरुष, एकवचन; भावे प्रयोग (exists)

Not specified in the provided excerpt (context needed to confirm the dialogue frame, e.g., Pulastya–Bhīṣma).

Concept: Repeated disciplined practice (abhyāsa) destroys sin and leads to a delusion-free higher state (Brahmaloka).

Application: Choose one practice—daily japa, scripture reading, or vrata discipline—and repeat it consistently; measure progress by reduced confusion and increased steadiness.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: celestial_realm

Visual Art Cues: {"scene_description":"A luminous stairway of light rises from an earthly āśrama into Brahmaloka, where a serene, four-faced Brahmā sits on a vast lotus, and the air itself seems free of haze. Pilgrims of practice—students, reciters, and teachers—arrive with purified faces, their sins depicted as dissolving shadows falling away behind them.","primary_figures":["Brahmā (Caturmukha)","purified sādhakas (reciters/teachers)","lotus-born attendants (subtle)"],"setting":"Cosmic lotus realm above clouds; a transitional corridor of light from earth to the lotus-throne","lighting_mood":"divine radiance","color_palette":["lotus pink","pearl white","radiant gold","sky cyan","amethyst violet"],"tanjore_prompt":"Tanjore painting style: Brahmā seated on an enormous lotus with gold leaf halo and embossed ornaments, a radiant pathway of light carrying purified devotees upward, rich jewel tones with heavy gold embellishment, ornate celestial architecture framing the lotus realm.","pahari_prompt":"Pahari miniature style: ethereal ascent scene with delicate gradients of sky, a soft lotus realm above clouds, Brahmā rendered with refined features, devotees in simple garments, lyrical atmosphere emphasizing clarity and the absence of haze (moha).","kerala_mural_prompt":"Kerala mural style: bold outlines of Brahmā on lotus, stylized cloud bands, devotees ascending in rhythmic procession, strong red-yellow-green pigments with white highlights, temple mural symmetry and iconic eye shapes.","pichwai_prompt":"Pichwai cloth painting style: a grand lotus mandala representing Brahmaloka, intricate floral borders, deep blue-to-gold sky, devotees moving along a patterned path, abundant lotus motifs and gold detailing to symbolize sin dissolving into light."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft conch shell","sustained tanpura","gentle wind","distant chimes","expansive silence"]}

Sandhi Resolution Notes: तत्तदभ्यासमाहात्म्यैः→तत् + तत् + अभ्यासमाहात्म्यैः; गच्छंति→गच्छन्ति.

B
Brahmā

FAQs

It teaches that sustained spiritual practice (abhyāsa) has purifying power: it destroys sin (kilbiṣa) and leads the practitioner to Brahmaloka, a realm described as free from delusion (moha).

Brahmaloka signifies an exalted spiritual realm associated with Brahmā, portrayed as a state or plane of existence where ignorance and delusion do not prevail, indicating a higher clarity of consciousness and merit-born attainment.

It emphasizes disciplined repetition and steadiness in practice: consistent effort purifies one’s past faults and gradually elevates the mind beyond भ्रम/मोह (delusion), aligning life toward higher spiritual goals.