Padma Purana — Bhumi Khanda, Shloka 41
Dialogue of Gobhila and Padmāvatī: Daitya Obstruction vs. the Power of Pativratā Dharma
कर्मणा नास्ति तद्दृष्टं पतिदैवत्यमेव ते । भर्तारं तं परित्यज्य किमर्थं त्वमिहागता
karmaṇā nāsti taddṛṣṭaṃ patidaivatyameva te | bhartāraṃ taṃ parityajya kimarthaṃ tvamihāgatā
Je ne vois pas que cela soit advenu par le karma ; car pour toi, la seule loi divine véritable est la dévotion à ton époux. Ayant abandonné ce mari, pour quelle raison es-tu venue ici ?
Unspecified (narrative dialogue context not provided in the input excerpt)
Concept: Do not misattribute choices to karma; personal responsibility and chosen dharma (here, patidāivatya) are emphasized.
Application: Avoid using 'karma' to rationalize avoidable harm or abandonment; examine motives, return to commitments, and seek dharmic counsel before drastic steps.
Primary Rasa: shanta
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"A quiet confrontation at the edge of a hermitage path: the speaker, composed yet firm, gestures toward a distant home where a lamp still burns, while questioning the woman who has left her husband. The atmosphere is morally charged but not violent—wind stirs leaves, and the path itself becomes a symbol of choice versus excuse.","primary_figures":["speaker woman (admonisher)","woman who left her husband","distant household lamp or home silhouette","a silent sage witness (optional)"],"setting":"Forest-hermitage boundary with a visible forked path—one leading back to village/home, the other deeper into wilderness.","lighting_mood":"forest dappled","color_palette":["moss green","earth brown","lamp gold","sky blue","soft white"],"tanjore_prompt":"Tanjore painting style: two women in dialogue at a forked path, gold leaf accents on the distant lamp and ornaments; a small village-home silhouette on one side, hermitage trees on the other; rich reds/greens, ornate border, moral symbolism rendered in devotional iconography.","pahari_prompt":"Pahari miniature style: delicate forest edge with dappled light; expressive yet restrained faces; a winding path back to a tiny village with a glowing lamp; cool greens and blues with fine textile patterns and lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: stylized forest and path, bold outlines; speaker’s firm gesture emphasized; simplified village lamp motif; red/yellow/green pigments with strong black contours, temple-wall narrative clarity.","pichwai_prompt":"Pichwai cloth painting style: symbolic forked path framed by lotus borders; central lamp motif representing dharma; figures arranged symmetrically with floral filigree; deep blue background with gold and green accents, intricate decorative patterns."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["rustling leaves","distant temple bell","soft flowing water (far)","measured silence"]}
Sandhi Resolution Notes: नास्ति = न अस्ति; तद्दृष्टम् = तत् दृष्टम्; पतिदैवतम् = पति-दैवतम्; पतिदैवत्यमेव = पतिदैवतम् एव; त्वमिहागता = त्वम् इह आगता.
FAQs
It frames “patidaivatyam” (treating one’s husband as one’s divine duty/center of devotion) as the primary dharma for the addressed woman, and questions her decision to abandon her husband.
The speaker denies that the present situation is clearly attributable to karma (“I do not see it as karma-caused”), and instead emphasizes personal duty and choice—specifically fidelity/commitment to one’s husband.
It highlights accountability: leaving one’s core obligation requires a compelling reason, and the verse challenges the listener to examine motive, duty, and consequences.