Glory of Puruṣottama: Pañcatīrthī Observance and Narasiṃha Worship
सिंहस्य प्रतिमां कृत्वा प्रमाणेन षडंगुलाम् । भूर्जपत्रे विशेषेण लिखेद्रोचनया तथा ॥ ११८ ॥
siṃhasya pratimāṃ kṛtvā pramāṇena ṣaḍaṃgulām | bhūrjapatre viśeṣeṇa likhedrocanayā tathā || 118 ||
Après avoir façonné (ou fixé) la figure d’un lion, de six aṅgulas selon la mesure prescrite, qu’on la dessine ensuite—tout particulièrement sur de l’écorce de bouleau—avec la rocanā, pigment jaune, selon la règle.
Narada (in instruction mode within a ritual/mahatmya-rite description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It emphasizes disciplined ritual precision—correct measurement (pramāṇa), proper medium (bhūrjapatra), and specific pigment (rocanā)—showing that sacred efficacy is linked to exact, rule-based execution.
While not directly devotional in tone, it supports bhakti-oriented practice by prescribing a concrete devotional/ritual act performed with care and obedience to scriptural method, turning intention into disciplined worshipful action.
Kalpa (ritual procedure) and pramāṇa-based instruction are foregrounded: the verse gives a measurable specification (six aṅgulas) and correct materials for sacred drawing/inscription.