ललितायास्त्रिभिवर्णैः सकलार्थोऽभिधीयते । शेषेण देवीरूपेण तेन स्यादिदमीरितम् ॥ २ ॥
lalitāyāstribhivarṇaiḥ sakalārtho'bhidhīyate | śeṣeṇa devīrūpeṇa tena syādidamīritam || 2 ||
Dans le (nom) «Lalitā», tout le sens est exprimé par trois syllabes ; et par la partie restante—prise comme la forme même de la Déesse—cette affirmation est ainsi énoncée.
Sanatkumara (teaching Narada in a Vedanga-style explanation of varṇa/akṣara meaning)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches that a divine name is not merely a label: its meaning is carried by specific syllables, and the remaining sound-structure is contemplated as the very form (rūpa) of the Goddess—linking śabda (sound) to devatā (deity).
By presenting the Goddess as present in the very phonemes of her name, it supports nāma-upāsanā (devotional contemplation of the Name), where devotion is practiced through precise remembrance/recitation with meaning-awareness.
It reflects a Vedāṅga method—especially Vyākaraṇa/Śikṣā-oriented attention to varṇa (phoneme), pronunciation, and semantic derivation—showing how mantra meaning is analyzed through syllabic structure.