The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
बटुकेभास्वरूपा च दुर्गा क्षेत्रेशरूपिणी । कामराजस्वरूपा च तथा मन्मथरूपिणी ॥ ७७ ॥
baṭukebhāsvarūpā ca durgā kṣetreśarūpiṇī | kāmarājasvarūpā ca tathā manmatharūpiṇī || 77 ||
Elle est la forme même de Bhairava (Baṭukebha) ; elle est Durgā, se manifestant comme le Seigneur qui préside au lieu sacré. Elle est aussi la forme de Kāmarāja, et de même la forme de Manmatha, le dieu de l’amour.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It teaches the non-dual principle of devatā-svarūpa: the Goddess is understood as manifesting in multiple divine roles—protector (Durgā), guardian of the sacred site (Kṣetreśa), and the power behind attraction and devotion (Kāmarāja/Manmatha).
By presenting one Divine Power appearing through many names and functions, it supports focused worship (iṣṭa-devatā bhakti) while affirming unity—devotees may worship Durgā or the kṣetra-devatā with the understanding that the same Shakti responds.
It reflects kṣetra-viniyoga (application of deity-identification to place and ritual): knowing the presiding deity of a sacred site guides mantra-selection, nyāsa/protective rites, and proper worship procedure—an applied, technical aspect of Purāṇic ritual science.