The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
विद्यावतारसंसिद्ध्यै स्वौकृतानेकविग्रह । नवाय नवरूपाय परमार्थैकरूपिणे ॥ ५ ॥
vidyāvatārasaṃsiddhyai svaukṛtānekavigraha | navāya navarūpāya paramārthaikarūpiṇe || 5 ||
Hommage à Celui qui accomplit parfaitement la descente de la connaissance sacrée; à Celui qui, par sa propre volonté, revêt d’innombrables formes; au Toujours-Nouveau, aux manifestations toujours nouvelles, et pourtant d’une seule essence—la pure Réalité suprême.
Narada (stuti/praise within the teaching context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It identifies the Divine (Vishnu) as the source who makes sacred knowledge manifest in the world, appearing in many forms for instruction while remaining one, non-dual Supreme Reality.
By presenting God as “ever-new” and compassionate in taking many forms to transmit knowledge, the verse supports bhakti as reverent surrender to the one Lord who guides seekers through accessible manifestations.
The verse frames all technical disciplines (Vedangas) as expressions of “vidyā” ultimately grounded in the Divine source—implying that study of śikṣā, vyākaraṇa, chandas, nirukta, jyotiṣa, and kalpa should be pursued as sacred, liberation-oriented knowledge.