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Narada Purana — Purva Bhaga, Shloka 160

The Account of the Lalitā Hymn, the Protective Armor

Kavaca), and the Thousand Names (Sahasranāma

सेकाख्या वीक्षणाख्या चोपदेशाख्या तथैव च । व्याकुलाक्षरसंकेता गायत्री प्रणवादिका ॥ १६० ॥

sekākhyā vīkṣaṇākhyā copadeśākhyā tathaiva ca | vyākulākṣarasaṃketā gāyatrī praṇavādikā || 160 ||

Gāyatrī—commençant par le Pranava «Oṁ»—est indiquée selon plusieurs modes techniques : comme «Sekā», comme «Vīkṣaṇā» et comme «Upadeśā»; et elle est aussi marquée par une disposition et une indication particulières, fines et complexes des syllabes.

सेक-आख्याcalled ‘seka’
सेक-आख्या:
कर्तृ/विशेष्य-विशेषणभाव
TypeAdjective
Rootसेक + आख्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुषः: ‘named/known as seka’
वीक्षण-आख्याcalled ‘vīkṣaṇa’
वीक्षण-आख्या:
कर्तृ/विशेष्य-विशेषणभाव
TypeAdjective
Rootवीक्षण + आख्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; ‘named vīkṣaṇa’
and
:
समुच्चय
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय
उपदेश-आख्याcalled ‘upadeśa’
उपदेश-आख्या:
कर्तृ/विशेष्य-विशेषणभाव
TypeAdjective
Rootउपदेश + आख्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; ‘named upadeśa’
तथाlikewise
तथा:
क्रियाविशेषण
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; प्रकारार्थ (adverb)
एवindeed; just
एव:
अवधारण (emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formनिश्चय/अवधारणार्थक-अव्यय (emphatic particle)
and
:
समुच्चय
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय
व्याकुल-अक्षर-संकेताmarked by agitated/confused syllables
व्याकुल-अक्षर-संकेता:
कर्तृ/विशेष्य-विशेषणभाव
TypeAdjective
Rootव्याकुल + अक्षर + संकेत (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुषः: ‘having (a) sign/indication of agitated/confused syllables’
गायत्रीGāyatrī
गायत्री:
कर्तृ/विशेष्य
TypeNoun
Rootगायत्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम (proper noun)
प्रणव-आदिकाbeginning with the praṇava (Oṃ)
प्रणव-आदिका:
कर्तृ/विशेष्य-विशेषणभाव
TypeAdjective
Rootप्रणव + आदि + क (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुषः: ‘beginning with praṇava (oṃ)’

Sanatkumara (teaching Narada)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: shanta

G
Gayatri
P
Pranava (Om)

FAQs

It frames Gāyatrī (with Oṁ) not merely as a single utterance but as a disciplined, tradition-bound practice with recognized modes and precise syllabic indications—emphasizing purity of sound and method as part of spiritual efficacy.

By placing Pranava-led Gāyatrī within authorized methods of transmission (upadeśa) and correct phonetic handling, it supports bhakti through reverent, rule-guided japa—devotion expressed as careful sacred recitation.

Śikṣā (phonetics) and mantra-prayoga: the verse points to technical classifications of recitation and the importance of akṣara-saṃketa—accurate syllable marking and articulation in Vedic chanting.