The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
यदेकादशमाधारं बीजं कोणत्रयोद्भवम् । ब्रह्यांडादिकटाहांतं जगदद्यापि दृश्यते ॥ १५ ॥
yadekādaśamādhāraṃ bījaṃ koṇatrayodbhavam | brahyāṃḍādikaṭāhāṃtaṃ jagadadyāpi dṛśyate || 15 ||
Aujourd’hui encore, l’univers se voit comme ce principe-graine : reposant sur onze appuis, né du triangle aux trois angles, et s’étendant jusqu’au rebord de l’œuf cosmique, chaudron primordial de la création.
Narada (in dialogue context with Sanatkumara tradition; verse presented as technical-cosmological description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames the cosmos as a visible expression of a subtle causal “seed” (bīja) governed by ordered supports (ādhāras) and sacred geometry (triangular triad), emphasizing that creation is structured, intelligible, and rooted in a higher principle.
By presenting the universe as an ordered manifestation of a single causal source, it supports Bhakti’s contemplative stance: the devotee reveres the divine intelligence behind cosmic form, using such cosmological insight to deepen remembrance and surrender.
The verse reflects technical doctrine used in mantra/yantra frameworks—bīja (seed-syllable principle), ādhāra (support/locus), and trikona (triangle) symbolism—concepts often applied in ritual visualization and structured recitation practices.