The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
यदक्षरशशिज्योत्स्नामंडितं भुवनत्रयम् । वन्दे सर्वेश्वरीं देवीं महाश्रीसिद्धमातृकाम् ॥ १३ ॥
yadakṣaraśaśijyotsnāmaṃḍitaṃ bhuvanatrayam | vande sarveśvarīṃ devīṃ mahāśrīsiddhamātṛkām || 13 ||
Je me prosterne devant la Déesse, Souveraine de tout—Mahāśrī, Mère accomplie des lettres sacrées—par les syllabes de qui les trois mondes sont parés comme de clarté lunaire.
Narada (hymnic invocation within a Vedanga/śabda-focused context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It venerates the Goddess as Mātṛkā—the divine source of sacred syllables—teaching that sound (akṣara) is not merely linguistic but a cosmic power that illumines and orders the three worlds.
Bhakti is expressed as reverent surrender (vande) to the Sarveśvarī, recognizing the Divine as present in mantra and sacred speech; devotion here is practiced through praise, remembrance, and honoring the source of all auspicious power (Mahāśrī).
It points to the sanctity of akṣara (phoneme/syllable), aligning with Śikṣā (phonetics) and Vyākaraṇa (grammar): correct understanding and use of syllables/mantras is treated as spiritually efficacious and world-sustaining.