Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
चतुर्भिर्नयनं तद्वदस्त्रमेकेन कीर्तितम् । दृक्श्रोत्रनासाद्वितये जिह्वाहृन्नाभिगुह्यके ॥ ४४ ॥
caturbhirnayanaṃ tadvadastramekena kīrtitam | dṛkśrotranāsādvitaye jihvāhṛnnābhiguhyake || 44 ||
On dit que l’œil est représenté par quatre (signes/unités) ; de même, l’astra, l’arme, par un seul. Cela s’applique aux organes de perception—œil, oreille et les deux narines—ainsi qu’à la langue, au cœur, au nombril et à l’organe secret.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It encodes a technical mapping between mantra/ritual counts and bodily loci, implying that disciplined practice sanctifies the senses and vital centers, turning perception and embodiment into a regulated spiritual instrument.
By prescribing orderly placement/recognition of sacred measures in the sense-organs and inner centers, it supports bhakti as embodied devotion—training the senses to become fit vessels for remembrance and worship.
A Shiksha/ritual-technical style of enumeration used in nyasa-like applications—assigning counts or markers (e.g., ‘four’, ‘one’) to specific organs for structured recitation and ritual procedure.