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Narada Purana — Purva Bhaga, Shloka 195

Rādhā-sambaddha-mantra-vyākhyā

Rādhā-Related Mantras Explained

तदंतर्वृतयुग्मांतरष्टकोणं विधाय तु । तदंतश्च तथा पद्मं षोडशच्छदसंयुतम् ॥ १९५ ॥

tadaṃtarvṛtayugmāṃtaraṣṭakoṇaṃ vidhāya tu | tadaṃtaśca tathā padmaṃ ṣoḍaśacchadasaṃyutam || 195 ||

Puis, à l’intérieur, trace une figure à huit angles dans l’espace entre la paire de cercles ; et, en son sein, trace encore un lotus pourvu de seize pétales.

तत्-अन्तर्-वृत-युग्म-अन्तर-अष्टकोणम्an octagon within that, enclosed in the intermediate paired space
तत्-अन्तर्-वृत-युग्म-अन्तर-अष्टकोणम्:
कर्म (कर्म/Direct object)
TypeNoun
Rootतत् (सर्वनाम-प्रातिपदिक) + अन्तर् (प्रातिपदिक) + वृत (कृदन्त, क्त/PPP, √वृ 'वरणे') + युग्म (प्रातिपदिक) + अन्तर (प्रातिपदिक) + अष्टकोण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; बहुपद-तत्पुरुषसमासः (तस्य अन्तरं वृतं, तत्र युग्मान्तरं, तत्र अष्टकोणम् इति)
विधायhaving made
विधाय:
क्रियाविशेषण (क्रियाविशेषण/Absolutive)
TypeVerb
Rootवि + √धा (धातु)
Formक्त्वान्त अव्ययकृदन्त (gerund); पूर्वकालिक क्रिया (having arranged/made)
तुthen/indeed
तु:
सम्बन्ध (सम्बन्ध/Particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/अन्वयार्थक (but/indeed)
तत्-अन्तःinside that
तत्-अन्तः:
अधिकरण (अधिकरणम्/Location)
TypeIndeclinable
Rootतत् (सर्वनाम-प्रातिपदिक) + अन्तः (अव्यय/प्रातिपदिक)
Formअव्ययीभावसमासः; देशवाचक अव्यय (inside that)
and
:
समुच्चय (समुच्चय/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (and)
तथाlikewise
तथा:
क्रियाविशेषण (क्रियाविशेषण/Adverbial)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; प्रकारवाचक (thus/likewise)
पद्मम्a lotus (diagram)
पद्मम्:
कर्म (कर्म/Direct object)
TypeNoun
Rootपद्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
षोडश-छद-संयुतम्endowed with sixteen petals
षोडश-छद-संयुतम्:
कर्म (कर्म/Direct object qualifier)
TypeAdjective
Rootषोडश (संख्या-प्रातिपदिक) + छद (प्रातिपदिक) + संयुत (कृदन्त, क्त/PPP, √युज् + सम्)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन; तत्पुरुषः (षोडशभिः छदैः संयुतम् = having sixteen petals/leaves)

Sanatkumara (teaching Narada a technical ritual/diagram procedure)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

FAQs

It gives a precise inner layout of a sacred diagram (mandala/yantra), where progressively inward shapes symbolize increasing concentration—moving from boundary forms (circles) to a stabilizing enclosure (octagon) and finally to a devotional seat of the deity/energy (the sixteen-petalled lotus).

Though technical, the instruction supports bhakti-upāsanā by preparing the proper worship-field: the lotus with sixteen petals is a classic locus for placing mantras and invoking the chosen deity with ordered reverence and mental focus.

It reflects applied ritual-technical knowledge used in kalpa-style procedures: precise diagram construction (mandala/yantra-vidhi) and spatial ordering required for mantra-nyāsa and worship protocols.