Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
द्विद्विपक्षाक्षिषड्वर्णैर्मंत्रोत्थैरंगकल्पनम् । श्रोत्रादिनासायुगले वाचि कण्ठे हृदि क्रमात् ॥ १७३ ॥
dvidvipakṣākṣiṣaḍvarṇairmaṃtrotthairaṃgakalpanam | śrotrādināsāyugale vāci kaṇṭhe hṛdi kramāt || 173 ||
Avec des syllabes nées du mantra—(comptées comme) deux, deux, ailes, yeux et six—qu’on accomplisse l’aṅga-kalpanā (nyāsa) dans l’ordre : d’abord aux oreilles, puis aux deux narines, ensuite à la parole (bouche), à la gorge, et enfin au cœur.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches a disciplined inner ritual (nyāsa) where mantra-syllables are consciously installed in key sense-and-vital centers, turning the body into a sanctified support for dhyāna and worship.
By prescribing mantra-placement in speech, throat, and heart, it frames devotion as embodied remembrance—purifying perception and expression so the devotee’s inner life becomes aligned with worship.
It highlights ritual-technical procedure (krama/sequence) and mantra–varṇa (syllable/phoneme) application—elements closely tied to Śikṣā (phonetics) and prayoga (practical ritual method).