Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
चारुस्मेरमुखांभोजां विलसन्नयनत्रयाम् । अष्टाभिर्बाहुभिर्युक्तां माणिक्याभरणोज्ज्वलाम् ॥ १०४ ॥
cārusmeramukhāṃbhojāṃ vilasannayanatrayām | aṣṭābhirbāhubhiryuktāṃ māṇikyābharaṇojjvalām || 104 ||
Il contempla son visage de lotus, paré d’un sourire doux et charmant; ses trois yeux étincelaient; pourvue de huit bras, elle rayonnait, resplendissante de parures de rubis.
Narada (narrating/description within the dialogue tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
The verse functions as rūpa-dhyāna (meditative visualization): the devotee fixes the mind on a luminous, auspicious divine form—lotus-face, trinetra, and ashtabhuja—so attention becomes one-pointed and devotional contemplation deepens.
By presenting an attractive and symbol-rich divine form, it supports bhakti through smaraṇa (remembrance) and dhyāna (meditation): the devotee lovingly contemplates the deity’s features, which stabilizes emotion and faith and prepares the mind for worship and mantra.
While not a technical Vedāṅga rule, it reflects practical dhyāna-vidhi used in ritual manuals—iconographic cues (trinetra, ashtabhuja, ornaments) guide visualization during pūjā and japa, aligning worship with prescribed form-meditation.