The Description of the Four Durgā Mantras
बहिरष्टदलेष्वर्च्या मन्मथाद्या मदोद्धताः । अपरांगा निषंगाद्याः पुष्पास्त्रेषुधनुर्द्धराः ॥ १४० ॥
bahiraṣṭadaleṣvarcyā manmathādyā madoddhatāḥ | aparāṃgā niṣaṃgādyāḥ puṣpāstreṣudhanurddharāḥ || 140 ||
Sur les huit pétales extérieurs, qu’on adore Manmatha et les autres — enivrés d’orgueil —, serviteurs extérieurs portant l’arme de fleurs, le carquois, les flèches et l’arc.
Narada (teaching in a technical/ritual-structure context, as preserved in Narada Purana Book 1.3)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
It specifies the outer-lotus (aṣṭadala) placement of attendant deities—showing that worship is done in a graded mandala: center deity first, then surrounding powers/attendants, completing the sacred field (kṣetra) of the rite.
Bhakti here is expressed as disciplined upāsanā: devotion becomes precise service (seva) through correct placement and honoring of associated powers, rather than random worship.
It reflects applied ritual-technology—mandala/padma-vinyāsa (deity-arrangement) and iconographic identifiers (weapons/attributes), aligning with procedural knowledge used in kalpa-style practice.