The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
तवर्गाद्यं श्वेतवर्णं घटिकायां तु भार्गवम् । नीलवर्णं पवर्गाद्यं नाभिदेशे शनैश्चरम् ॥ ४५ ॥
tavargādyaṃ śvetavarṇaṃ ghaṭikāyāṃ tu bhārgavam | nīlavarṇaṃ pavargādyaṃ nābhideśe śanaiścaram || 45 ||
Le groupe « ta », de couleur blanche, doit être placé à la ghaṭikā (l’articulation du poignet) et il est présidé par Bhārgava (Vénus). Le groupe « pa », de couleur bleue, doit être placé dans la région du nombril et il est présidé par Śanaiścara (Saturne).
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a technical nyāsa framework where Sanskrit sound-groups (vargas) are installed on specific body regions with associated colors and ruling grahas, indicating that mantra practice aligns speech (śabda) with cosmic order (graha-devatā).
Though primarily technical, it supports bhakti-sādhana by prescribing disciplined mantra-nyāsa—helping the devotee internalize sacred sound and maintain focused remembrance during worship.
Vedāṅga-oriented ritual phonetics (Śikṣā) and applied jyotiṣa: consonant classes (ta-varga, pa-varga) are linked to colors and planetary deities (Śukra and Śani) for precise nyāsa placement.