The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
तथा पवर्गपूर्वं तु शुक्लं सोमं भ्रुवोर्द्वये । कवर्गपूर्वं रक्ताभं मंगलं लोचनत्रयम् ॥ ४३ ॥
tathā pavargapūrvaṃ tu śuklaṃ somaṃ bhruvordvaye | kavargapūrvaṃ raktābhaṃ maṃgalaṃ locanatrayam || 43 ||
De même, les syllabes commençant par le pa-varga doivent être posées en nyāsa comme la Lune blanche sur la paire de sourcils ; et celles commençant par le ka-varga, d’une teinte rougeâtre, doivent être posées comme Mars dans les trois yeux.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a meditative-ritual mapping (nyasa) where phonetic groups are visualized on subtle bodily loci, aligning speech (varna) with cosmic forces (Soma and Mangala) to steady the mind and refine mantra-upasana.
By prescribing disciplined visualization and placement of sacred sound, it supports focused worship (upasana) where devotion is stabilized through precise mantra practice rather than mere emotion.
It reflects Vedanga application—especially Shiksha (phonetics/varna-varga discipline) and Jyotisha (planetary symbolism)—used in ritual-meditative procedure (nyasa) for mantra practice.