Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
वागीश्वर्या समायुक्तं वामगंडे महेश्वरम् । श्रिया धनपतिं न्यस्य वामकर्णाग्रके पुनः ॥ १२ ॥
vāgīśvaryā samāyuktaṃ vāmagaṃḍe maheśvaram | śriyā dhanapatiṃ nyasya vāmakarṇāgrake punaḥ || 12 ||
Ensuite, par le nyāsa, qu’on place Maheśvara (Mahādeva), uni à la puissance de la Parole, Vāgīśvarī, sur la joue gauche ; et, avec Śrī (la prospérité), qu’on place de nouveau Dhanapati (Kubera) à l’extrémité de l’oreille gauche.
Narada (instructional narration within a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—internalizing divine powers by placing specific deities on specific body-points—so speech (Vāgīśvarī) and auspicious strength (Śrī) become sanctified supports for the sādhaka’s practice.
By ritually “placing” Mahādeva and Dhanapati with their śaktis, the practitioner treats the body as a temple; this embodied reverence is a practical form of devotion that aligns mind, speech, and prosperity toward dharmic worship.
A technical ritual method (nyāsa) used in mantra-prayoga: assigning devatās to aṅgas (body locations) to stabilize recitation, intention, and auspicious results—typical of applied Vedic/Āgamic procedure discussed in Book 1.3.