Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
सौरे पीठे यजेद्देवीं दीप्तादिनवशक्तिभिः । मूलमंत्रेण क्लृप्तायां मूर्तौ देवीं प्रपूजयेत् ॥ ११७ ॥
saure pīṭhe yajeddevīṃ dīptādinavaśaktibhiḥ | mūlamaṃtreṇa klṛptāyāṃ mūrtau devīṃ prapūjayet || 117 ||
Sur le siège Saura (autel solaire), qu’on adore la Déesse avec les neuf śakti commençant par Dīptā ; puis, l’image (mūrti) établie selon le mantra racine, qu’on accomplisse l’adoration complète de la Déesse.
Narada (teaching ritual procedure, in dialogue tradition with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that Devi-upāsanā becomes complete when her worship is performed in an established icon (mūrti) using the root-mantra, and when her attendant śaktis (nine powers beginning with Dīptā) are honored as integral aspects of her presence.
Bhakti here is expressed as disciplined, reverent worship—approaching the Goddess through a consecrated form and honoring her energies—showing devotion as both love and correct ritual attention (upacāra) guided by mantra.
It reflects Kalpa/Vedāṅga-style ritual technique: selecting the proper pīṭha (altar-seat), invoking associated śaktis, and using the mūlamantra for proper establishment and worship of the deity’s mūrti.