Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
यां समाराध्य ससृजे ब्रह्मा लोकांश्चराचरान् । लक्ष्मी माया कामपूर्वा सावित्री ङेसमन्विता ॥ ११० ॥
yāṃ samārādhya sasṛje brahmā lokāṃścarācarān | lakṣmī māyā kāmapūrvā sāvitrī ṅesamanvitā || 110 ||
L’ayant honorée comme il se doit, Brahmā créa les mondes, ceux qui se meuvent et ceux qui demeurent immobiles. Elle est appelée Lakṣmī, Māyā, la puissance qui précède le désir, et Sāvitrī, pourvue de la syllabe sacrée d’invocation.
Narada (within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches that even Brahmā’s creative act is empowered by propitiating the Divine Power (Śakti), identified through names like Lakṣmī, Māyā, and Sāvitrī—showing worship as the root of manifestation and order.
By stating that creation follows ‘samārādhana’ (reverent worship), the verse implies that devotion is not merely emotional but a potent, disciplined approach that aligns the devotee with the cosmic source of auspiciousness and power.
It highlights mantric praxis—invocation through sacred syllables and the Sāvitrī (Gāyatrī) principle—pointing to the technical role of mantra and correct utterance (linked to Śikṣā/phonetics) in Vedic ritual effectiveness.