The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
कैशोरवयसा बाला प्रमदाकुलशेखरा । कृष्णाधरसुधा स्वादा श्यामप्रेमविनोदिनी ॥ १७७ ॥
kaiśoravayasā bālā pramadākulaśekharā | kṛṣṇādharasudhā svādā śyāmapremavinodinī || 177 ||
Jeune fille dans la fraîcheur de l’adolescence, joyau suprême parmi les femmes éprises—douce comme l’ambroisie des lèvres de Kṛṣṇa—elle se réjouissait du prema pour Śyāma, le Seigneur à la teinte sombre.
Narada (in a descriptive eulogy within the ongoing discourse)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: bhakti
It portrays the soul’s devotional absorption as sweet, intimate, and single-minded—prema for Śyāma (Kṛṣṇa) that overwhelms ordinary worldly emotions and becomes the highest delight.
By presenting devotion as loving relish (svāda) and joyful engagement (vinodinī) centered on Kṛṣṇa, it emphasizes bhakti as heartfelt attachment rather than mere formal observance.
No specific Vedāṅga technique (like Vyākaraṇa, Jyotiṣa, or Kalpa) is taught in this verse; it primarily uses poetic devotional vocabulary to convey the experiential mood of bhakti.