Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
द्विठांते बालवपुषे कामः कृष्णाय संवदेत् । ततो ध्यायन्स्वहृदये गोपीजनमनोहरम् ॥ ९५ ॥
dviṭhāṃte bālavapuṣe kāmaḥ kṛṣṇāya saṃvadet | tato dhyāyansvahṛdaye gopījanamanoharam || 95 ||
À la fin du rite double prescrit, Kāma doit s’adresser à Kṛṣṇa, sous la forme d’un jeune garçon. Puis, méditant en son propre cœur, qu’il contemple Celui qui ravit l’esprit des gopīs, les bergères.
Narada (teaching in a dialogue framework associated with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shringara
It links outer ritual completion with inner realization: after finishing the prescribed rite, the practitioner turns inward and fixes the heart on Kṛṣṇa as the supremely attractive Lord, emphasizing devotion as the culmination of practice.
Bhakti is shown as personal and contemplative—addressing Kṛṣṇa directly and then meditating on Him as Gopī-janamanohara, the Lord whose beauty and grace draw the mind away from worldly desire toward divine love.
It reflects procedural discipline (vidhi) typical of Vedanga-informed practice: completing an ordered rite (a “twofold” sequence) and then transitioning to dhyāna (internalization), a common structure in mantra- and ritual-instructions.