The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
आहृत्य बल्लवीवस्त्राण्यारूढं नीपभूरुहे । स्मरेत्कृष्णं जपेद्रात्रौ सहस्रं खेंदूहात्सुधीः ॥ १४७ ॥
āhṛtya ballavīvastrāṇyārūḍhaṃ nīpabhūruhe | smaretkṛṣṇaṃ japedrātrau sahasraṃ kheṃdūhātsudhīḥ || 147 ||
Ayant apporté les vêtements des jeunes vachères (gopī) et étant monté sur un arbre de neem, le sage doit se souvenir de Kṛṣṇa et, durant la nuit, répéter mille fois Son Nom ou Son mantra, le visage tourné vers le ciel et la lune.
Narada (teaching in a vrata/mantra-vidhi sequence, traditionally in dialogue with Sanatkumara)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It prescribes a focused bhakti-sādhana combining līlā-smaraṇa (remembering Krishna’s pastimes) with disciplined japa at night, emphasizing intensity (sahasra-japa) and one-pointed remembrance.
Bhakti here is practiced as smaraṇa (continuous remembrance of Krishna) supported by japa (repetition of the divine name/mantra), showing devotion as both inner contemplation and a regulated vow-like observance.
It highlights ritual-application knowledge: timing (night practice), count-discipline (one thousand repetitions), and prescribed posture/orientation—elements aligned with prayoga/kalpa-style procedure within the text’s technical (vidhi) sections.