Narada Purana — Purva Bhaga, Shloka 147
Hanūmaccarita
The Account of Hanumān
अथो विभूषितः शिवो निविष्ट उत्तमासने । स्वसंमुखं हरिं तथा न्यवेशयद्वरासने ॥ १४७ ॥
atho vibhūṣitaḥ śivo niviṣṭa uttamāsane | svasaṃmukhaṃ hariṃ tathā nyaveśayadvarāsane || 147 ||
Alors le Seigneur Śiva, dûment paré, s’assit sur un trône excellent; et de même il fit asseoir Hari sur un siège splendide, juste en face de lui.
Narada (narrating within the dialogue tradition; contextual narration of the scene)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It portrays divine mutual honor: Śiva sits formally and seats Hari facing him, signaling reverence, auspicious protocol, and harmony between major deities within a sacred discourse.
Bhakti is expressed through respectful service (upacāra) and honoring the Lord—here shown by offering a proper seat and direct attentive presence, modeling devotional etiquette for worshippers.
Ritual procedure and upacāra order are implied—especially āsana-dāna (offering a seat) and proper orientation/facing in a formal worship or dialogue setting, themes often systematized alongside śrauta/smārta practice and associated technical traditions.