Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
तस्य संस्मरणादेव हृतं नष्टं च संवदेत् । लभ्यते मंत्रवर्योऽयं द्वात्रिंशद्वर्णसंयुतः ॥ ५७ ॥
tasya saṃsmaraṇādeva hṛtaṃ naṣṭaṃ ca saṃvadet | labhyate maṃtravaryo'yaṃ dvātriṃśadvarṇasaṃyutaḥ || 57 ||
Par le seul fait de s’en souvenir, ce qui a été volé ou perdu est révélé, c’est-à-dire indiqué. Ce mantra d’excellence est obtenu ; il est composé de trente-deux syllabes.
Narada (teaching in a technical/Vedanga-oriented section; mantra-lakshana/prayoga tone)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It emphasizes mantra-śakti: the Purana presents remembrance (saṃsmaraṇa) itself as a potent practice, where the mantra’s power can bring hidden facts to light—showing the tradition’s view that sound-form (varṇa) and recollection can produce tangible results.
While framed as a technical mantra result, it still highlights a bhakti-like principle: steady remembrance (smaraṇa) is central. The verse implies that sincere recollection activates grace and clarity, which aligns with devotional disciplines where smaraṇa is a primary limb.
It points to mantra-lakṣaṇa and varṇa-count (a technical marker used in śikṣā/vyākaraṇa-informed mantra study): the mantra is specified as dvātriṃśad-varṇa (32 syllables), reflecting the Vedanga concern for precise phonetics, structure, and correct formulation in ritual practice.