Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
दीर्घाढ्यमूलबीजेन कुर्यादेषां षडंगकम् । तारो हृत्कार्तवीर्यार्जुनाय वर्मास्त्रठद्वयम् ॥ ४६ ॥
dīrghāḍhyamūlabījena kuryādeṣāṃ ṣaḍaṃgakam | tāro hṛtkārtavīryārjunāya varmāstraṭhadvayam || 46 ||
Avec la syllabe-graine racine « longue », qu’on accomplisse pour ceux-ci le ṣaḍaṅga, l’application auxiliaire en six membres. Puis, au moyen du tāra, le praṇava (Oṁ), qu’on établisse au cœur, pour Kārtavīrya Arjuna, l’ensemble pair : les mantras d’armure (varma) et d’arme (astra).
Narada (teaching in a technical/ritual-mantra context, traditionally within dialogue with Sanatkumara’s lineage)
Vrata: none
Primary Rasa: vira
Secondary Rasa: adbhuta
It emphasizes disciplined mantra-prayoga: empowering a mantra through ṣaḍaṅga (sixfold ancillary nyāsa) and sealing it with praṇava, indicating that protection and efficacy arise from correct Vedic-technical procedure, not mere recitation.
Though technical, it supports bhakti by showing how sacred sound (praṇava and bīja) is approached with reverence and method—devotion expressed as careful, rule-based worship and inner placement (heart-centered practice).
It points to Śikṣā/phonetics (dīrgha—long sound), mantra-śāstra procedure (bīja, ṣaḍaṅga-nyāsa), and protective ritual technology (kavaca/varma and astra applications).