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Narada Purana — Purva Bhaga, Shloka 102

Dīpa-vidhi-vyākhyānam

Procedure for Lamp-Offering to Hanumān

आंजनेय पाटलास्यं स्वर्णाद्रिसमविग्रहम् । पारिजातद्रुमूलस्थं चिंतयेत्साधकोत्तमः ॥ १०२ ॥

āṃjaneya pāṭalāsyaṃ svarṇādrisamavigraham | pārijātadrumūlasthaṃ ciṃtayetsādhakottamaḥ || 102 ||

Que le meilleur des pratiquants médite sur Āñjaneya (Hanumān) : au visage rosé, au corps pareil à une montagne d’or, demeurant au pied de l’arbre pārijāta.

आञ्जनेयO Āñjaneya (Hanumān)
आञ्जनेय:
Sambodhana (सम्बोधन)
TypeNoun
Rootआञ्जनेय (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन-विभक्ति (8th/Vocative), एकवचन
पाटल-आस्यम्having a reddish face/mouth
पाटल-आस्यम्:
Karma (कर्म)
TypeAdjective
Rootपाटल (प्रातिपदिक) + आस्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; कर्मधारय-समास (पाटलम् आस्यम् यस्य)
स्वर्ण-अद्रि-सम-विग्रहम्whose form is like a golden mountain
स्वर्ण-अद्रि-सम-विग्रहम्:
Karma (कर्म)
TypeAdjective
Rootस्वर्ण (प्रातिपदिक) + अद्रि (प्रातिपदिक) + सम (प्रातिपदिक) + विग्रह (प्रातिपदिक)
Formपुं/नपुंसक, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; तत्पुरुष-समास (स्वर्णाद्रिसमः विग्रहः यस्य)
पारिजात-द्रुम-उल-स्थम्situated at the root of a pārijāta tree
पारिजात-द्रुम-उल-स्थम्:
Karma (कर्म)
TypeAdjective
Rootपारिजात (प्रातिपदिक) + द्रुम (प्रातिपदिक) + मूल (प्रातिपदिक) + स्थ (प्रातिपदिक)
Formपुं/नपुंसक, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; तत्पुरुष-समास (पारिजात-द्रुमस्य मूले स्थितम्)
चिन्तयेत्should meditate/visualize
चिन्तयेत्:
Kriya (क्रिया)
TypeVerb
Rootचिन्त् (धातु)
Formविधिलिङ् (Optative), प्रथम-पुरुष (3rd person), एकवचन; परस्मैपद
साधक-उत्तमःthe best practitioner
साधक-उत्तमः:
Karta (कर्ता)
TypeNoun
Rootसाधक (प्रातिपदिक) + उत्तम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन; कर्मधारय-समास (उत्तमः साधकः)

Sanatkumara (teaching Narada)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

Ā
Āñjaneya (Hanumān)
P
Pārijāta

FAQs

It gives a precise dhyāna-lakṣaṇa (visualization template) for Āñjaneya, teaching that focused contemplation on a clearly defined divine form steadies the mind and strengthens devotional absorption.

Bhakti here is practiced as upāsanā: the sādhaka lovingly fixes attention on Hanumān’s auspicious attributes (radiant, golden, serene presence), turning the heart toward devoted remembrance rather than scattered thought.

It reflects the applied discipline of mantra-śāstra and ritual visualization (dhyāna-vidhi): using exact descriptors of form and location as a practical aid for concentration during japa and worship.