Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
पुच्छाकारे सुवस्त्रे च लेखन्या क्षुरकोत्थया । गन्धाष्टकैर्लिखेद्वूपं कपिराजस्य सुन्दरम् ॥ १८१ ॥
pucchākāre suvastre ca lekhanyā kṣurakotthayā | gandhāṣṭakairlikhedvūpaṃ kapirājasya sundaram || 181 ||
Sur une belle étoffe taillée en forme de queue, à l’aide d’un calame fait de la plante kṣura, qu’on dessine—avec les huit substances parfumées—la belle forme de Kapirāja (Seigneur des singes).
Narada (teaching ritual/technical procedure to the Sanatkumara tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It prescribes a precise devotional act—creating Hanuman’s sacred form with sanctified materials—showing that bhakti can be expressed through disciplined, consecrated ritual workmanship.
Bhakti here is practiced as upāsanā: the devotee prepares an auspicious base (cloth), uses pure instruments, and invokes the deity through a fragrant, reverent depiction of Kapirāja.
It reflects technical-ritual knowhow—materials selection, preparation, and prescribed procedure—aligned with śrauta/smārta practicalities (kalpa-style discipline) rather than abstract philosophy.