The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
बीजत्रयाद्यैः कुर्वीत पदैः सर्वेण मंत्रवित् । पंचांगानि च विन्यस्य मंत्रवर्णान्क्रमान्न्यसेत् ॥ ९४ ॥
bījatrayādyaiḥ kurvīta padaiḥ sarveṇa maṃtravit | paṃcāṃgāni ca vinyasya maṃtravarṇānkramānnyaset || 94 ||
Le connaisseur du mantra doit accomplir le rite avec les mots qui commencent par les trois syllabes-semences (bīja). Après avoir d’abord disposé les cinq membres du nyāsa, qu’il place ensuite les syllabes du mantra dans l’ordre requis.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It emphasizes mantra-śuddhi (ritual and sonic purity): the mantra becomes spiritually effective when its seed-syllables, limbs of nyāsa, and phonemes are installed in the correct order.
It frames devotion as disciplined worship: bhakti is expressed through careful, knowledgeable performance of mantra and nyāsa, aligning body, speech, and mind with the deity through ordered recitation and placement.
It highlights technical ritual science tied to śikṣā (phonetics) and mantra-viniyoga: correct varṇa (syllable) sequencing and structured nyāsa (pañcāṅga) as a practical procedure in worship.