The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
एवं ध्यात्वा जपेद्वर्णं लक्षं मत्री दशांशतः । घृताक्तैः पायसैर्हुत्वा यजनं पूर्ववञ्चरेत् ॥ ८६ ॥
evaṃ dhyātvā japedvarṇaṃ lakṣaṃ matrī daśāṃśataḥ | ghṛtāktaiḥ pāyasairhutvā yajanaṃ pūrvavañcaret || 86 ||
Après avoir ainsi médité, le pratiquant du mantra doit répéter le phonème sacré cent mille fois; puis, pour en offrir le dixième, accomplir des oblations (homa) avec du pāyasa, riz au lait mêlé de ghee. Ainsi doit-il exécuter le rite exactement selon la procédure enseignée auparavant.
Sanatkumara (in instruction to Narada, within the Vedanga/ritual-technical teaching flow)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches a complete mantra-sādhana cycle: meditation (dhyāna), disciplined repetition (japa), and ritual sealing of the practice through homa as a proportional offering (daśāṁśa).
Bhakti here is expressed as focused remembrance through dhyāna and japa, followed by a reverential act of offering (homa), showing devotion as both inner absorption and outward worship done by rule.
It highlights ritual-technical discipline: prescribed numerical counts (lakṣa and daśāṁśa), correct homa materials (ghṛta, pāyasa), and adherence to procedure (pūrvavat), aligning with Vedanga-style precision in rites.