The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
वह्निः शेषासनो भांतः केवलो द्व्यक्षरो मनुः । एकाक्षरोक्त वत्सर्वं मुनिध्यानार्चनादिकम् ॥ १०९ ॥
vahniḥ śeṣāsano bhāṃtaḥ kevalo dvyakṣaro manuḥ | ekākṣarokta vatsarvaṃ munidhyānārcanādikam || 109 ||
« Vahni » (Agni), « Śeṣāsana » (Celui qui repose sur Śeṣa), « Bhānta » (le Rayonnant) et « Kevala » (l’Absolu) sont des mantras sacrés de deux syllabes. Mais dans le mantra d’une seule syllabe est proclamé le tout—telle la méditation et l’adoration des munis, et les disciplines connexes.
Narada (instructional discourse within Vedanga/Mantra-vidya section; traditionally framed in Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches mantra-hierarchy: many devotional and contemplative practices are said to be gathered into the potency of a single-syllable mantra, while certain divine epithets function as concise two-syllable mantras.
By presenting divine names like Śeṣāsana and Bhānta as mantras, it frames bhakti as name-based upāsanā—meditation and worship centered on the Lord—condensed into powerful mantra-forms.
A mantra-śāstra/phonetic (śikṣā-like) insight: the count of syllables (akṣara) matters, and specific akṣara-mantras are linked to defined ritual and meditative applications (dhyāna, arcana).