The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
मुनिध्यानार्चनं चास्य प्रोक्तं सर्वं षडर्णवत् । रामांते चंद्रभद्रौ च ङेंतौ पावकवल्लभा ॥ १०२ ॥
munidhyānārcanaṃ cāsya proktaṃ sarvaṃ ṣaḍarṇavat | rāmāṃte caṃdrabhadrau ca ṅeṃtau pāvakavallabhā || 102 ||
La méditation et l’adoration rituelle de ce (mantra/deité) ont été entièrement enseignées selon la manière de la formule à six syllabes. À la fin se trouve « Rāmā » ; et il y a « Candrabhadrā » ainsi que « ṅeṃtau », avec « Pāvakavallabhā ».
Narada (teaching within a technical/Vedanga-mantra discussion to the Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links inner practice (dhyāna) and outer practice (arcana) to a precisely defined mantra-form (ṣaḍarṇa), showing that devotion in the Narada Purana is supported by correct mantra-structure and disciplined upāsanā.
Bhakti here is presented as organized worship: meditation on the deity/mantra and formal offering (arcana), anchored in a named, repeatable formula—so devotion becomes steady, transmissible, and effective in practice.
Mantra-technical knowledge tied to Śikṣā/Vyākaraṇa-style precision: counting syllables (ṣaḍarṇa), placing elements in sequence (e.g., ‘Rāmā’ at the end), and preserving specific phonemic units (like ‘ṅeṃ’), which is essential for correct recitation and ritual use.