The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अथोच्यते ध्यानमन्यन्मुखरोगहरं शुभम् । स्वर्णवर्णसुपर्णस्थं विद्युन्मालासटान्वितम् ॥ ६९ ॥
athocyate dhyānamanyanmukharogaharaṃ śubham | svarṇavarṇasuparṇasthaṃ vidyunmālāsaṭānvitam || 69 ||
Voici maintenant une autre méditation, propice et bénéfique, qui dissipe les maladies de la bouche : contemple le Seigneur à la teinte d’or, assis sur Garuḍa (Suparṇa), paré d’une guirlande semblable à l’éclair et d’une crinière rayonnante.
Sanatkumara (in instruction to Narada, within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents a specific Vishnu-centered dhyāna as both auspicious and therapeutically protective, showing how devotion and visualization are integrated with well-being in the Purana’s technical (Book 1.3) instructions.
Bhakti here is expressed as focused contemplation of the Lord’s divine form—golden, Garuḍa-borne, brilliantly adorned—using loving attention (dhyāna) as a direct means to invoke grace and relief from affliction.
It highlights applied upāsanā/dhyāna methodology—iconographic precision for visualization—typical of technical guidance associated with Vedāṅga-adjacent ritual science and mantra practice.