The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
इन्द्र गोपाभनीलाभं चन्द्रा भं स्वर्णसन्निभम् । पूर्वादि चोत्तरं यावदूर्ध्वास्यं सर्ववर्णकम् ॥ ५६ ॥
indra gopābhanīlābhaṃ candrā bhaṃ svarṇasannibham | pūrvādi cottaraṃ yāvadūrdhvāsyaṃ sarvavarṇakam || 56 ||
Sa teinte est celle de l’indragopa (rouge bleuté profond), rayonnante comme la lune et semblable à l’or; de l’orient jusqu’au nord, il fait face vers le haut et déploie toutes les couleurs.
Narada (in dialogue context with the Sanatkumara tradition; technical exposition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
The verse encodes auspicious qualities through traditional markers—radiance (moon-like), purity/wealth (gold-like), and completeness (all colors)—often used in Purāṇic-vedāṅga style descriptions to indicate sacred or favorable characteristics.
While not directly teaching bhakti, it supports devotional practice indirectly by providing the technical language used to recognize auspicious signs and proper orientations, which help structure ritual settings that accompany Vishnu-bhakti and other devotional observances.
Directional specification (east through north) and observable attributes (color, radiance) reflect a vedāṅga-oriented, especially jyotiṣa/ritual-technical mode of description used for determining suitability, auspiciousness, and orientation in applied practice.