The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
धनुश्चक्राभयवरान्दधतं नृहरिं स्मरेत् । लक्षं जपस्तद्दशांशहोमश्च घृतपायसैः ॥ ५ ॥
dhanuścakrābhayavarāndadhataṃ nṛhariṃ smaret | lakṣaṃ japastaddaśāṃśahomaśca ghṛtapāyasaiḥ || 5 ||
Qu’on médite sur Nṛhari (Narasimha), tenant l’arc, le disque (cakra), le geste d’intrépidité (abhaya) et la main qui accorde les dons. Qu’on accomplisse un lakh (cent mille) japa, puis qu’on offre un homa égal au dixième, avec du ghee et du riz au lait sucré.
Narada (in dialogue context with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It presents a complete sādhana pattern—dhyāna (meditation on Nṛhari’s protective form), lakṣa-japa (100,000 repetitions), and daśāṁśa-homa (one-tenth fire-offering)—linking inner devotion with disciplined ritual completion.
Bhakti is expressed as steady remembrance of Nṛhari’s compassionate, protective presence (abhaya and vara), supported by devoted mantra practice and offerings that symbolize surrender and gratitude.
It reflects procedural ritual precision—fixed japa counts (lakṣa), the daśāṁśa rule for homa completion, and specific havis (ghṛta and pāyasa)—a technical, śāstra-style instruction consistent with Vedāṅga-oriented discipline.