The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अधोमुखाभिः शिष्टाभिः शेषाभिर्नृहरौ ततः । हस्तावधोमुखौ कृत्वा नाभिदेशे प्रसार्य च ॥ ४० ॥
adhomukhābhiḥ śiṣṭābhiḥ śeṣābhirnṛharau tataḥ | hastāvadhomukhau kṛtvā nābhideśe prasārya ca || 40 ||
Ensuite, les doigts restants étant disposés selon la règle et tournés vers le bas, en présence de Nṛhari, que l’on tienne les deux mains face au sol et qu’on les étende vers la région du nombril.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes disciplined, correct bodily procedure (hand orientation and placement) as a support for focused devotion to Nṛhari, aligning the worshipper’s attention with the deity through precise ritual action.
Bhakti here is expressed through careful, reverent performance—turning the hands downward and extending them toward the navel region as instructed—showing that devotion includes attentive adherence to sacred method while invoking Nṛhari.
It reflects technical ritual know-how—procedural instruction akin to Kalpa/Prayoga traditions—detailing hand-positioning (mudrā/nyāsa-like action) used in formal worship.