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Narada Purana — Purva Bhaga, Shloka 39

The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī

त्रिशूलवत् संमुखोर्द्ध्वे कुर्यान्मुद्रा ं नृसिंहगाम् । अङ्गुष्ठाभ्यां च करयोस्तथाऽक्रम्य कनिष्ठके ॥ ३९ ॥

triśūlavat saṃmukhorddhve kuryānmudrā ṃ nṛsiṃhagām | aṅguṣṭhābhyāṃ ca karayostathā'kramya kaniṣṭhake || 39 ||

Les mains levées devant soi, en forme de trident, qu’on forme la mudrā de Narasiṃha ; et, avec les pouces des deux mains, qu’on presse également les auriculaires.

triśūlavatlike a trident
triśūlavat:
Kriyā-viśeṣaṇa (क्रिया-विशेषण)
TypeIndeclinable
Roottriśūla (प्रातिपदिक)
FormTaddhita -vat (वत्) forming avyaya/adverbial ‘like’; upamā-avyaya
saṃmukha-ūrdhvein front and upward
saṃmukha-ūrdhve:
Deśa-viśeṣaṇa (देश-विशेषण)
TypeIndeclinable
Rootsaṃmukha (प्रातिपदिक) + ūrdhva (प्रातिपदik)
FormAvyayībhāva-samāsa used adverbially; locative sense ‘in front and upward’
kuryātshould make/do
kuryāt:
Kriyā (क्रिया)
TypeVerb
Root√kṛ (धातु)
FormVidhiliṅ-lakāra (optative), Parasmaipada; Madhyama-puruṣa, Ekavacana
mudrāmmudrā/gesture
mudrām:
Karma (कर्म)
TypeNoun
Rootmudrā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā, Ekavacana
nṛsiṃha-gāmleading to/associated with Narasiṃha
nṛsiṃha-gām:
Karma-viśeṣaṇa (कर्म-विशेषण)
TypeAdjective
Rootnṛsiṃha (प्रातिपदिक) + gā (प्रातिपदिक)
FormStrīliṅga, Dvitīyā, Ekavacana; tatpuruṣa; adjective qualifying mudrām
aṅguṣṭhābhyāmwith the two thumbs
aṅguṣṭhābhyām:
Karaṇa (करण)
TypeNoun
Rootaṅguṣṭha (प्रातिपदिक)
FormPuṃliṅga, Tṛtīyā (3rd case), Dvivacana
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormSamuccaya-avyaya (conjunction)
karayoḥof the two hands
karayoḥ:
Ṣaṣṭhī-sambandha (सम्बन्ध)
TypeNoun
Rootkara (प्रातिपदिक)
FormPuṃliṅga, Ṣaṣṭhī (6th case), Dvivacana
tathālikewise/so
tathā:
Kriyā-viśeṣaṇa (क्रिया-विशेषण)
TypeIndeclinable
Roottathā (अव्यय)
FormPrakāra-avyaya (adverb)
ākramyahaving pressed
ākramya:
Pūrvakāla-kriyā (पूर्वकाल-क्रिया)
TypeVerb
Rootā-√kram (धातु)
FormAbsolutive (lyap), avyaya-kṛdanta; ‘having pressed/stepped upon’
kaniṣṭhakethe two little fingers
kaniṣṭhake:
Karma (कर्म)
TypeNoun
Rootkaniṣṭhakā/kaniṣṭhaka (प्रातिपदिक)
FormPuṃliṅga, Dvitīyā, Dvivacana (dual of kaniṣṭhaka ‘little finger’); object of ākramya

Sanatkumara (in instruction to Narada on ritual/technical procedure)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: vira

N
Narasiṃha
V
Vishnu

FAQs

It encodes a precise upāsanā technique: forming the Narasiṃha-mudrā as a bodily aid to invoke protective, fear-destroying Viṣṇu-energy (Narasiṃha) during worship.

Bhakti here is expressed through disciplined ritual action—using a prescribed mudrā to focus mind and body on Narasiṃha, reinforcing single-pointed remembrance and reverence in pūjā.

A technical ritual detail (prayoga) is taught—hand positioning and finger pressure for a specific mudrā—illustrating the Narada Purana’s procedural, śāstra-style instruction within its technical sciences section.