The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
चन्द्रा ग्निवेदषड्रामनेत्रदिग्बाहुभूमितान् । विभक्तान्मन्त्रवर्णांश्च क्रमात्स्थानेषु विन्यसेत् ॥ ३० ॥
candrā gnivedaṣaḍrāmanetradigbāhubhūmitān | vibhaktānmantravarṇāṃśca kramātsthāneṣu vinyaset || 30 ||
Qu’on dispose successivement, à leurs places propres, les syllabes du mantra, divisées et attribuées à la Lune, au Feu, aux Veda, aux six membres, à Rāma, aux yeux, aux directions, aux bras et à la terre.
Narada (teaching in a technical Vedanga/ritual context, in dialogue tradition with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents nyāsa as a disciplined sacralization of the body/space: mantra-syllables are mapped onto cosmic principles (Moon, Fire, directions, earth), aligning the practitioner’s rite with the ordered universe.
Though technical, it supports bhakti by prescribing careful mantra-application; correct placement (vinyāsa) becomes an act of reverent attention that steadies the mind for devotional worship.
Ritual-technical procedure: sequential mantra-syllable placement (nyāsa/vinyāsa) using prescribed loci—an applied discipline related to mantra-śāstra and the Vedāṅga-oriented sciences of correct recitation and ritual order.