The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
तमःप्रकाशक पुरमथनान्ते तु सर्व च । मन्त्रे राजेश्वरपदाद्विहायसगतिप्रद ॥ १८४ ॥
tamaḥprakāśaka puramathanānte tu sarva ca | mantre rājeśvarapadādvihāyasagatiprada || 184 ||
Ceci est ce qui éclaire et dissipe les ténèbres; et, à la conclusion du rite du «destructeur de la cité», il convient de l’appliquer en tout. Dans le mantra, la portion qui commence par le mot «rājeśvara» confère la voie vers le céleste (un accomplissement sublime).
Narada (teaching within a Vedanga/Mantra-vidya passage, traditionally framed in Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents mantra as a ‘dispeller of darkness’ (tamaḥprakāśaka), emphasizing that correct placement and recitation—especially at a rite’s conclusion—yields a defined spiritual result, here described as an elevated heavenly attainment (vihāyasa-gati).
By highlighting a divine epithet (rājeśvara) within mantra, the verse implies that devotion expressed through sacred names and prescribed ritual sequencing becomes a vehicle for spiritual ascent and divine grace.
Mantra-prayoga (applied mantra science): the verse points to the importance of mantra-pada selection and ritual placement (especially ‘at the end’ of a rite) to obtain the stated phala, reflecting technical discipline akin to Vedanga-linked ritual procedure.