The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
विद्यावृतस्त्रयस्त्रिंशद्देवताकोटिशब्दतः । नमितान्ते पदपदात्पङ्कजान्वित ईरयेत् ॥ १८१ ॥
vidyāvṛtastrayastriṃśaddevatākoṭiśabdataḥ | namitānte padapadātpaṅkajānvita īrayet || 181 ||
Enveloppé de la connaissance sacrée, qu’on l’énonce par des mots invoquant les trente-trois koṭis de divinités; et, à la fin—après s’être incliné—qu’on le récite mot à mot, paré de l’imagerie du lotus.
Narada (instructional narration within Vedanga/recitation procedure context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that mantra-recitation should be grounded in vidyā (sacred knowledge), concluded with humility (bowing), and performed carefully word-by-word—treating sound as a sacred vehicle of divine presence.
Bhakti is expressed through reverent conduct: invoking the divine through sound, and ending with namana (bowing). The lotus imagery reinforces purity and auspiciousness in devotional recitation.
It points to Śikṣā and related recitation disciplines: precise padapāṭha-style (word-by-word) utterance, careful use of sound (śabda), and ritual etiquette such as concluding with a respectful bow.