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Narada Purana — Purva Bhaga, Shloka 121

The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī

उत्तरे हलधृग्विष्णुः पद्मकिञ्जल्कमसन्निभः । आग्नेय्यामरविन्दाक्षो मुसली मधुसूदनः ॥ १२१ ॥

uttare haladhṛgviṣṇuḥ padmakiñjalkamasannibhaḥ | āgneyyāmaravindākṣo musalī madhusūdanaḥ || 121 ||

Au nord, Viṣṇu est contemplé comme Haladhṛk, porteur de la charrue, d’une teinte semblable au pollen du lotus. Au sud-est (Āgneya) se tient le Lotus-aux-yeux, Madhusūdana, Musalī, brandissant le pilon, destructeur de Madhu.

uttarein the north
uttare:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootuttara (प्रातिपदिक)
FormNapुंसकलिङ्ग, Saptamī, Ekavacana; used adjectivally (in the northern [direction/side])
hala-dhṛkplough-bearer
hala-dhṛk:
Karta (कर्ता)
TypeNoun
Roothala (प्रातिपदिक) + dhṛk (प्रातिपदिक; from √dhṛ धृ)
FormPuṃliṅga, Prathamā, Ekavacana; upapada-tatpuruṣa 'holding a plough'
viṣṇuḥVishnu
viṣṇuḥ:
Karta (कर्ता)
TypeNoun
Rootviṣṇu (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; proper name
padma-kiñjalka-sama-sannibhaḥresembling the lotus-filament
padma-kiñjalka-sama-sannibhaḥ:
Karta (कर्ता)
TypeAdjective
Rootpadma (प्रातिपदिक) + kiñjalka (प्रातिपदिक) + sama (प्रातिपदिक) + sannibha (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; multi-member tatpuruṣa: 'similar in appearance to (sannibha) the lotus-filament (padma-kiñjalka)'
āgneyyāmin the southeast
āgneyyām:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootāgneya (प्रातिपदिक)
FormStrīliṅga (स्त्री), Saptamī, Ekavacana; 'in the southeast (Agni-direction)'
aravinda-akṣaḥlotus-eyed
aravinda-akṣaḥ:
Karta (कर्ता)
TypeNoun
Rootaravinda (प्रातिपदिक) + akṣa (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; bahuvrīhi 'whose eyes are lotuses'
musalīpestle/club-bearer
musalī:
Karta (कर्ता)
TypeNoun
Rootmusalin (प्रातिपदिक)
FormPuṃliṅga, Prathamā, Ekavacana; 'having a pestle/club'
madhu-sūdanaḥslayer of Madhu
madhu-sūdanaḥ:
Karta (कर्ता)
TypeNoun
Rootmadhu (प्रातिपदिक) + sūdana (प्रातिपदिक; from √sūd सूद्)
FormPuṃliṅga, Prathamā, Ekavacana; tatpuruṣa 'slayer of Madhu'

Sanatkumara (teaching Narada)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shanta

V
Vishnu
M
Madhusudana

FAQs

It teaches directional contemplation of Viṣṇu through specific names, weapons, and color-imagery, helping the practitioner stabilize dhyāna and align ritual space with sacred symbolism.

Bhakti is expressed as focused remembrance (smaraṇa) of Viṣṇu through his epithets—Haladhṛk, Aravindākṣa, Madhusūdana—so the devotee’s mind anchors in his qualities while worshiping.

It reflects a technical, ritual-application framework: using dik (direction) assignments and deity-forms for structured visualization in pūjā/nyāsa, a common method in applied sacred sciences connected with kalpa-style procedure.